today was pulling back to 2013 when filmmaker katherina on schroeder was being given a fascinating glimpse of nigeria by one of its most respected photographers george of saudi back then as you'll see george's lens was focused on subjects ranging from oil pollution in the niger delta to the cultural legacy of nigeria's traditional monarchists if you're curious about what's in his portfolio these days i'll be asking him that very question in a moment but 1st here is a truly memorable film kings of nigeria and the al-jazeera series. 21st century africa a continent undergoing great change and finally seizing control of its image but it's been a long shot a 100 years i go for dog i feel was a colonial tool going after a while about a lot of the print money. and primary term for the independent happening. in the post-colonial for photographers like my legs keep it shut if you call for it. but elsewhere the narrative was of a koran on manageable content often with 2 ft to just one if. not a new generation if you see a photographer to celebrate the question and represent it continent on the rocks

today with pulling back to 2013 when filmmaker katherina von schroeder has been given a fascinating glimpse of nigeria by one of its most respected photographers george . back then as you'll see george's lens was focused on subjects ranging from oil pollution in the niger delta to the cultural legacy of nigeria's traditional monarchists if you're curious about what's in his portfolio these days i'll be asking him that very question in a moment but 1st here is a truly memorable film kings of nigeria and the al-jazeera series. 21st century africa a continent undergoing great change and finally seizing control of its image but it's been a long shot a 100 years ago for doug i feel was a colonial to keep going after a while about a lot of the fake money. primary term but independent happened. in the post-colonial euphoria or talk of as like my legs the big shot that you call for us. but elsewhere the narrative was of a call on manageable continent often with 2 for just one if. not a new generation if you see a photographer to celebrate to question and represent a continent on the rocks. i misjud

today was pulling back to 2013 when filmmaker katherina on schroeder was being given a fascinating glimpse of nigeria by one of its most respected photographers george of saudi back then as you'll see george's lens was focused on subjects ranging from oil pollution in the niger delta to the cultural legacy of nigeria's traditional monarchs if you're curious about what's in his portfolio these days i'll be asking him that very question in a moment but 1st here is a truly memorable film kings of nigeria and the al-jazeera series upscale. 21st century africa a continent undergoing great change and finally seizing control of its image but it's been a long shot a 100 years ago photography was a colonial tool going to have to run about how to fix. a crime not somebody independent competent. in the post-colonial good for photographers like my legs the big shots the new cold feet. but elsewhere the narrative was of a call on manageable continent often lead to say she just won the. now if you genesis and you see if a dog got to celebrate the question represent a continent. and his judge a saudi my