katherina close up has let color flow as at the museum buildings fall into the streets into the city and everyday life in. the sea the munnabhai the city that is the aim of my work i mess with something found and transform it in such a way that the laws which seem to be unmovable are suddenly liberated kafka's it's true. or not there are enough both the boundaries are blue it's what's radical about her arse. for homburg a bomb hole it's a great news starts after the bang theory is of knocked down. you're watching data mining news we'll have more news headlines at the top of the hour until then you can stay up to date get all the latest news and information around the clock on our website that state dot com not forget to follow us on twitter and instagram updated with the news i'm rebecca races from maine and the entire tame here in berlin thanks so much for joining us. national drama competition marketing numbers atmosphere fight at times intuition love money as fans primes fight spam and fans. on you tube joining us.

today was pulling back to 2013 when filmmaker katherina von schroeder has been given a fascinating glimpse of nigeria by one of its most respected photographers george a saudi back then as you'll see george's lens was focused on subjects ranging from oil pollution in the niger delta to the cultural legacy of nigeria's traditional monarchs if you're curious about what's in his portfolio these days i'll be asking him that very question in a moment but 1st here is a truly memorable film kings of nigeria and the al-jazeera series. 21st century africa a continent on the going great change and finally seizing control of its gimmick but it's been a long shot him on that he has that goal for doug i feel was a colonial to keep going after a while about a lot of the fake money. primary term but independent competent it in the post-colonial you for photographers like my legs the big shot that you call free. but elsewhere the narrative was of a koran on manageable content often with 2 ft to just one if. not a new generation if you see a photographer to celebrate the question and represent it continent

today with pulling back to 2013 when filmmaker katherina von schroeder has been given a fascinating glimpse of nigeria by one of its most respected photographers george . back then as you'll see george's lens was focused on subjects ranging from oil pollution in the niger delta to the cultural legacy of nigeria's traditional monarchists if you're curious about what's in his portfolio these days i'll be asking him that very question in a moment but 1st here is a truly memorable film kings of nigeria and the al-jazeera series. 21st century africa a continent undergoing great change and finally seizing control of its image but it's been a long shot a 100 years ago for doug i feel was a colonial to keep going after a while about a lot of the fake money. primary term but independent happened. in the post-colonial euphoria or talk of as like my legs the big shot that you call for us. but elsewhere the narrative was of a call on manageable continent often with 2 for just one if. not a new generation if you see a photographer to celebrate to question and represent a continent on the rocks. i misjud

today was pulling back to 2013 when filmmaker katherina on schroeder was being given a fascinating glimpse of nigeria by one of its most respected photographers george of saudi back then as you'll see george's lens was focused on subjects ranging from oil pollution in the niger delta to the cultural legacy of nigeria's traditional monarchs if you're curious about what's in his portfolio these days i'll be asking him that very question in a moment but 1st here is a truly memorable film kings of nigeria and the al-jazeera series upscale. 21st century africa a continent undergoing great change and finally seizing control of its image but it's been a long shot a 100 years ago photography was a colonial tool going to have to run about how to fix. a crime not somebody independent competent. in the post-colonial good for photographers like my legs the big shots the new cold feet. but elsewhere the narrative was of a call on manageable continent often lead to say she just won the. now if you genesis and you see if a dog got to celebrate the question represent a continent. and his judge a saudi my

luna to was a natural child the son of a farmer's daughter katherina who one day had a roll in the hay with a promising young notary called 7 pm of course marriage was out of the question a bright future awaited says provided he married a wife from the prestigious family. that's why layer nardo was never truly part of the creative circles of florence around lorenzo dimity with artists like the betty dylan dial or michelangelo these were folks who wrote latin sonnets and could hold their own in fine society they're not i was never part of that. but said piero never forgot his son and was only his ready to use his connections to help him get work but the lack of a proper education left young leonardo at a major disadvantage. instead he was apprenticed to the workshop of one of the most prolific artists of florence and that i am here here leonardo learned how to mix pigments prepare panels or transfer a large fresco drawing scald cartoons to a plaster wall. and eventually for akio allowed him to paint one of the angels in his panel of the baptism of cries it's obvious that leonardo's ange

leonardo was a natural child the son of a farmer's daughter katherina one day had a role in the hay with a promising young notary called 7 pm of course mary's was out of the question a bright future awaited said pietro provided he married a wife from a prestigious family. that's why labor nardo was never truly part of the creative circles of florence around lorenzo the major with artists like the betty dylan dial or michelangelo these were folks who wrote latin sonnets and could hold their own in fine society they're not i was never part of that. but said piero never forgot his son and was only his ready to use his connections to help him get work but the lack of a proper education left young leonardo at a major disadvantage. instead he was apprenticed to the workshop of one of the most prolific artists of florence and that i am here here leonardo learned how to mix pigments prepare panels or transfer a large fresco drawings called cartoons to a plaster wall and eventually for allowed him to paint one of the angels in his panel of the baptism of cries it's obvious that leonardo's angel i